Vadakkumnathan
Ravindran was a doyen of Malayalam music. Until his untimely death, he had captivated film buffs and music lovers with his innumerable film songs. The songs in `Vadakkumnathan' directed by Shajun Karyal too have that magical touch, which was incidentally the maestro's final work. The film has a sound and convincing story.
Bharath Pishardi (Mohan Lal) disappears from his home in Kerala and starts living in the serene atmosphere of Kashi, where his mother on a pilgrimage recognises and forces him to come back home. Much of the plot is related in a flashback.
Bharath was a lecturer in a college and was all set to marry his cousin Meera (Padma Priya), when circumstances force him to run away. Once he returns, he is seen to be suffering from bipolar multiple personality disorder as a result of which he abruptly starts behaving in bizarre manner. The film has a logical climax.
Mohan Lal has done justice to the multiple roles - as a hermit, as a lover and as the mentally deranged. He has proved his ability to do any role with relative ease.
Padma Priya, who had creditable performances in `Amrutham,' `Kazhcha' and `Rajamanikyam,' has come good again. Shammi Tilakhan, as the meddlesome brother, and Murali, as the confused uncle of the hero, have played their part well.
Kavya Madhavan as Bhama; Biju Menon as the loyal brother, Kaviyoor Ponnama as the mother; and Babu Nambodhiri have all fared well in their respective roles. Ouseppachan's background score provides excellent accompaniment to the story. Cameraman S. Kumar too deserves a special mention for his commendable job. The songs and screenplay written by Girish Puthencherry form the soul of the film.
Most appealing are `Gange'...' and 'Haro Haro...' Director Shajun Karyal has presented a simple story with élan.
